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Carson Teal
Eloquent use of visuals and audio , creating environments that transcend physical space
Carson Teal is a Canadian emerging multidisciplinary visual artist and experimental producer. Teal is known for his eloquent use of visuals and audio, creating environments that transcend the confines of physical space. He interlaces rich soundscapes with elements of video projection mapping over assembled and found objects to create immersive and mesmerizing atmospheres. Teal's multi-disciplinary practice creates an opportunity to be fully present in the moment, where the memory of the piece or performance can be recalled with a myriad of senses.
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Morris Fox
a queer-gothic artist/writer
Gravity's Lost, now open at 129 Tecumseth, Toronto
Morris Fox (he/they) is a queer-gothic artist/writer, and an Interdisciplinary Humanities PhD candidate at Concordia (Tiohtiá:ke-Mooniyang-Montréal).
Fox’s practice cruises the haunted house for feelings of community. Words and materials become a net that enmeshes, become a necropolis, a cemetery of desire. He interconnects eco-poetry, self-performance, VR, video, textiles, chainmaille, with queer material research, rubbing against ruins of memory, shimmering with apocalyptic imaginaries.
Fox graduated from SAIC’s Low Residency MFA (2018), and Concordia’s Studio Arts BFA (2011). Past exhibitions include: Regarde! Tiotiá:ke (2023), Sex Ecologies: Becoming Plastic, Stoveworks (2023), Psionic Hope, Astonishing Dream, Trinity Square Video (2023), My Gay Mediaeval Times, Spacemaker II, (2022), Vestiges&Remains, Artcite Inc., (2022), Claudia Hart’s Ludicy, Hyphen Hubs (2021), Gothwerk, Hotwheelz Festival (2020). Fox interned at the Icelandic Textile Centre, Blönduós (2020), and completed artist residencies including NES, Skagaströnd (2019), Icelandic Textile Centre (2019), Artscape Gibraltar Point, (2018). He is a member of the collective QueerSoftOrange.
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Tru Elmore
diverse artistic expressions, spanning animation, installation, and print, explore issues of mortality, technological evolution and our new way of perceiving the world --mediated almost entirely by electronic screens.
Tru is a Canadian new media/digital artist and animator currently residing in Paris, France. She earned her undergraduate degree at OCADU, specializing in Digital Painting and Expanded Animation (DPXA). Tru's exceptional academic performance culminated in her graduation with honors as Valedictorian, and she was also honored with the prestigious Governor General Award for academic excellence in 2016. In the same year, she achieved recognition by winning both the DPXA Capstone/Thesis award and the Emerging Digital Artist award from Equitable Bank.
In 2018, Tru made a significant mark in the art world by participating in 'Spatial Reality,' the world's largest XR fine arts exhibition, held at LA's Sp[a]ce gallery. This groundbreaking event, which marked a sold-out success, was the first of its kind. Tru's capstone/thesis project, titled 'Stranded Assets,' received acclaim and was screened at Harvard University in 2017.
Tru's creative journey continued with her second CG animation project, 'Algorythms,' commissioned by the Art Gallery of Ontario for their 'Massive' event in 2017. This work later evolved into an immersive VR experience for the V/Art app in 2018 and gained international recognition when showcased in Madrid during the Hybrid Art Fair in 2019.
In 2021, Tru ventured into the dynamic world of NFTs, directly connecting with collectors online, where she sells animations and still images. Her innovative approach quickly gained traction, and she recently enjoyed a successful exhibition at La NFT Factory in Paris, France, where all her available editions sold out.
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Ali Phi
Ali Phi is a new media artist and creative technologist currently based in Toronto.
His works are at the intersection of art, science, and technology, Through installations, autonomous machines, and performances, he explores the underlying mechanisms of new media, technology, interactions and data.
In his practice, architecture and space play a vital role both metaphorically and physically. He
sought the interaction between the physical perception of the human body and its mind
experiments of space to provoke new imaginaries in both artificial and the real worlds; By utilizing
computer programming and generative algorithms, he produces interactive and generative media
that involve the relationship between geometry, pattern, light, and poetry.
He has performed live in both new media and technology realms; he is known for his live
performances, which embed generative and time-based material with sound and computational
dialogues to create collective memory experiences through data visualization and has been
awarded multiple prizes and grants for his artistic work, including the Canada Council for the Arts,
Ontario Arts Council, Toronto Arts Council, and Photon Foundation Poland.
He also wore multiple hats as a jury, mentor, and lecturer and held numerous workshops in
participation with Toronto Art Council, York University Toronto, and Virginia Commonwealth
University of the Arts Qatar and has performed and exhibited in Ars Electronica (Austria), Mutek
(Montreal), the Ontario Science Centre (Canada), Virginia Commonwealth University of the Arts
(Qatar), The Tehran Architecture Biennial (Iran), Patchlab Digital Art Festival (Poland), Asia Now:
Paris Asian Art Fair (France), Art Brussels (Belgium) and New Now (Germany).
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Amanda Amour Lynx
a hybridity of traditional approaches with new media and digital arts.
Amanda Amour Lynx (she/they) is a queer, Two Spirit, mixed Mi’kmaw interdisciplinary artist, social worker and curator currently living in Guelph, Ontario. Lynx was born and grew up in Tiotia:ke (Montreal) and is a member of Wagmatcook FN. Lynx received a BFA from OCAD University in Drawing and Painting, minoring in Indigenous Visual Culture. Indigenous storywork and socially engaged practices that explore healing and re-narrating trauma are a focus in Lynx’s practice.
Their art making is a hybridity of traditional approaches with new media and digital arts. Lynx engages with an experimental process involving beadwork, textiles, and regalia-making combined with contemporary digital practices, sculpture, installation, performance, sound art, painting, zine-making, and alternative mediums. Guided by the Mi’kmaq principles netukulimk (reciprocity) and etuaptmumk (two-eyed seeing), Lynx’s artistic practice discusses land and relationality, environmental issues, navigating systems and societal structures, sexuality, cultural and gender identity, Indigenous (l’nui’smk) language resurgence, quantum and spiritual multiplicities.
Amour-Lynx’s most recent project (2021) includes developing, launching and facilitating a 13 week program for Indigiqueer, two spirit and LGBT+ youth with their organization, Canadian Roots Exchange. Intended to build virtual community during the pandemic and reduce feelings of social isolation, Virtual Beginner Two Spirit Regalia Making Program allows youth 18-29 across Turtle Island to receive access to genderfluid ceremonial teachings, pow wow culture and beginner skills in developing and ideating their own dance and spiritual regalia items through a closed zoom group targeted towards cultural safety and strengthening their relationship to identity, community and culture. Their most recent curatorial work includes Shapeshifters at Beaver Hall Gallery (Toronto) as part of the annual Bi+ Arts Festival, showcasing and centering the experiences of bisexual and queer artists, their 2019 iteration highlighting two spirit identity and unique epistemology. Their writing was published as part of grunt gallery’s Together Apart anthology (2020), and revue esse (2020). Lynx also worked as program assistant at Xpace Cultural Centre, a cultural programming hub and art gallery serving emerging artists (Toronto) from 2016-2018. Their artwork has been featured in gallery spaces and publications nationally.
#Watching Together in Spite of a Dying Planet
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